A Faun or Satyr Preparing a Pig for Sacrifice, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis" by Anonymous

A Faun or Satyr Preparing a Pig for Sacrifice, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis" 1599 - 1622

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drawing, print, engraving

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drawing

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allegory

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baroque

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print

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figuration

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ancient-mediterranean

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history-painting

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engraving

Dimensions: plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm)

Copyright: Public Domain

Curator: Here we have "A Faun or Satyr Preparing a Pig for Sacrifice," an engraving created between 1599 and 1622 and currently held at the Metropolitan Museum of Art. Editor: It's stark, isn’t it? All those finely etched lines give it such a high-contrast, almost theatrical feel. There’s something very deliberate about the composition. Curator: Yes, the graphic quality is immediately striking. Note the meticulous use of hatching and cross-hatching to model form and create tonal variation, especially across the faun’s musculature. Vico clearly demonstrates masterful control over the burin. Editor: But it's not just a display of skill. The pig struggling, the faun’s concentrated gaze, that serene statue in the background… It makes you think about power, sacrifice, the very foundations upon which societies are built. What is being sacrificed here and to whom, or what? Curator: A crucial point, that interplay of contrasting elements and their symbolic weight. Consider the iconographic program: the satyr's crude physicality juxtaposed against the classical figure, and even that ritual offering contrasts earthly needs against something loftier. Editor: And that 'something loftier’ - the implication that societal stability and divine blessings necessitate domination. The artwork then becomes not merely a rendering of myth but a commentary on sociopolitical structures. Curator: The formal clarity with Vico's lines enhances our comprehension, rendering the symbolism acute; that tension enhances our awareness of those classical precedents. It asks how values are maintained and how power intersects spirituality, a fascinating discourse encapsulated within its small frame. Editor: Yes, its visual austerity lends gravity to its thematic content, amplifying underlying tensions. Curator: Precisely. It reminds us that beneath even apparently uncomplicated surfaces, art engages us in profound questioning.

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