Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis" by Anonymous

Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis" 1599 - 1622

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drawing, print, engraving

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portrait

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drawing

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toned paper

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baroque

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print

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old engraving style

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figuration

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11_renaissance

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personal sketchbook

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soldier

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horse

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history-painting

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engraving

Dimensions 3 3/8 x 5 in. (8.6 x 12.7 cm)

This engraving presents a scene of dynamic conflict, capturing a moment of intense struggle. Note the classical iconography of the warrior, clad in helmet and shield, locked in combat with a horse and its rider. The image evokes the age-old motif of man versus beast, a theme resonating deeply in mythology and art across cultures. Consider, for instance, the centauromachy scenes of ancient Greece, where civilized order battles against primal chaos. This struggle taps into a deep-seated psychological tension—the Apollonian striving to subdue the Dionysian within us. Observe how this motif resurfaces in later periods. The Renaissance fascination with classical antiquity led to a revival of such imagery, yet with a new emphasis on human prowess and mastery over nature. Each iteration of this symbol carries the weight of its predecessors, a palimpsest of cultural memory. This image embodies the cyclical nature of symbols, constantly reappearing, evolving, and acquiring new layers of meaning.

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