Side Chair c. 1937

This technical drawing of a side chair was made by B. Holst-Grubbe sometime between 1855 and 1995. Look at these beautifully delicate lines, like gossamer threads holding the chair’s form in place. It’s art, but it’s also a set of instructions, a plan. The chair is rendered in faded sepia ink, like a memory. There's something so intimate about technical drawings, it’s a glimpse into the mind of the maker, a silent conversation between hand, eye, and object. Notice how the artist has captured not just the structure, but the spirit of the chair? You can almost feel the weight of someone sitting on it, the curve of the back against your spine. This reminds me of Agnes Martin’s grids, where precision meets poetry and the mundane becomes sublime. Art, like life, is full of contradictions, and it is those contradictions which make it worth exploring.