photography, gelatin-silver-print
landscape
social-realism
street-photography
photography
gelatin-silver-print
monochrome photography
realism
Dimensions height 195 mm, width 247 mm, height 191 mm, width 241 mm
Dorothea Lange made this photograph, Cotton Pickers’ Camp, in Nipomo, California, using black and white film. Looking at it, I think about what it must have been like to try and capture such vulnerability. The photograph feels really immediate, like Lange didn't want to disrupt the scene. I imagine her crouching down with the camera to capture the family inside the tent. It’s like a raw, tender observation of humanity. The tent looks provisional but also resilient. It reminds me of some of Robert Frank’s photographs, that same feeling of being on the road. Maybe Lange was thinking about Walker Evans, too? It’s amazing how artists converse across time, each one building on the work of those who came before, adding their own voices to the mix. This photograph speaks of endurance and vulnerability. It acknowledges how much we carry with us and how we adapt.
Comments
A young cotton picker in the grim years of the Great Depression. Lange was originally a portrait photographer, as is clear to see. In the 1930s she recorded the working and living conditions in rural America for the Farm Security Administration. In search of work, entire families migrated throughout the country, living in tents, shacks, and automobiles.
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