Vous verrez ... rien n'échappera a la baisse ... c. 19th century

Editor: We’re looking at Honoré Daumier's lithograph from the 19th century, entitled “Vous verrez…rien n'échappera a la baisse…”, which translates to “You will see…nothing will escape the decline.” I'm struck by how effectively Daumier captures a mood of anxious secrecy with just a few lines. What story do you think Daumier is telling here? Curator: Daumier’s lithographs are potent commentaries on Parisian society, particularly during the July Monarchy and the rise of finance. Here, the image critiques speculative economics, as evident in the title itself. These aren't just characters; they're representative of a society consumed by financial anxieties, highlighting the public role of art as social critique. Editor: So it's not just a drawing of two guys chatting. The context of the time matters. How did the public perceive his caricatures? Curator: Exactly. His works were widely disseminated through newspapers like "Le Charivari," shaping public opinion on political figures and social trends. Daumier's sharp wit often landed him in trouble with the authorities, who were not always amused by his satirical take on their governance and the bourgeoisie’s greed. Do you notice how he uses light and shadow to create a sense of unease? Editor: Yes, especially around their faces, giving them almost grotesque expressions. Was Daumier part of a particular artistic movement? Curator: While displaying elements of Romanticism in his emotional intensity, Daumier’s commitment to portraying everyday life aligns him with the Realist movement. He used realism not as mere imitation, but as a tool to expose social and political realities. He politicized the print. Editor: That’s fascinating. I hadn’t considered the print medium as such a powerful tool for social commentary at that time. Curator: Daumier proves that art is inherently linked to its socio-political environment. Editor: I see now how important understanding historical context is to appreciate Daumier’s work. Thanks for opening my eyes.