Portret van een meisje by Elias Gottheil

Portret van een meisje 1863 - 1883

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photography, gelatin-silver-print

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portrait

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photography

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coloured pencil

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gelatin-silver-print

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watercolor

Dimensions: height 105 mm, width 65 mm

Copyright: Rijks Museum: Open Domain

Curator: This is "Portret van een meisje," a photograph attributed to Elias Gottheil, made sometime between 1863 and 1883. It's a gelatin-silver print. Editor: There’s such formality to it. The young girl's posed, holding a riding crop... or perhaps a conductor’s baton? The monochrome gives it a wistful quality, as if capturing a vanished world. Curator: Precisely. Consider the era: photography was becoming more accessible, yet portraits remained deliberate statements about social standing. It’s interesting to think of how newly available technologies influenced portraiture in Europe, the rising middle classes embracing the idea of capturing their likeness. Editor: The riding crop, or baton, takes me to some symbolic places. It may just signal equestrian leisure. But it also makes me consider control, not just the sitter’s posture, but who she might later manage... or conduct! A hint, perhaps, toward future societal roles and what was imposed. Curator: It also subtly reinforced bourgeois ideals. The photograph becomes an object to be collected, exchanged, displayed within the home – normalizing codes of social behaviour and class expectations, a type of aspirational artifact if you like. Editor: Yes, and look at the composition itself. She's presented within that oval frame, a delicate world within a world, both protected and isolated at the same time. Almost like the figures painted on ancient Roman sarcophagi to idealize and contain a legacy. Curator: It speaks volumes about visual conventions of the era, a time when portraiture served specific functions within an evolving society. How the burgeoning technologies affected the older and long revered forms of social depiction. Editor: Reflecting on this girl and this photograph...I keep coming back to a sense of both intimacy and immense distance, separated by the rigid constructs of her time. It's haunting in that way. Curator: Agreed. Seeing this image through both our lenses emphasizes photography's fascinating dialogue between personal identity and larger cultural narratives.

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