Portret van een zittende vrouw met halsketting by Arnold Nelius Marinus Johannes Fock

Portret van een zittende vrouw met halsketting 1867 - 1901

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photography, albumen-print

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portrait

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figuration

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photography

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albumen-print

Dimensions height 83 mm, width 50 mm

Curator: This photograph is titled "Portret van een zittende vrouw met halsketting", which translates to "Portrait of a Seated Woman with Necklace". It was captured sometime between 1867 and 1901 by Arnold Nelius Marinus Johannes Fock, employing the albumen print method. It's presented within what seems to be an album. What’s your immediate reaction? Editor: Stark! The woman's gaze hits you square on, doesn’t it? There’s something incredibly forthright, almost challenging, about it. Despite the sepia tones and the formal pose, I feel like she's about to speak. Curator: The necklace is a key component, wouldn’t you say? Pearl necklaces at the time symbolized wealth, but also, rather paradoxically, purity and even tears. Depending on context, it could represent so many nuanced things about identity. Editor: Absolutely. And look at the oval frame within a frame - it’s a subtle way of emphasizing the sitter’s defined place in society, literally placing her within the boundaries of expected femininity. The formality almost cages her. Does that make sense? Curator: Totally. Though, that stern expression could just as easily indicate the subject pushing back against those limitations. It reminds me of how portraiture, especially photography at that time, had this peculiar dual purpose: to memorialize but also to construct identity. What did it mean to control one’s image then? Editor: Indeed! I wonder what she was really like, what she felt forced to hide, what secrets are buried within the photograph, both visually represented by her costume, the necklace, and more mysteriously alluded to in her gaze, as a feeling… What narratives that we will never know? Curator: Precisely. These are mysteries we can only try to touch at, through this portrait and the language of material and objects surrounding the sitters like her frame. Editor: Agreed, the way symbols create cultural stories in very particular points in time. This image is way more provocative that initially seemed to me. Thanks for showing me more than the sitter in itself.

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