Portret van E.J. Delrieu by Pierre Joseph Tavernier

Portret van E.J. Delrieu 1797 - 1845

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print, engraving

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portrait

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pencil drawn

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aged paper

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print

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pencil sketch

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old engraving style

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pencil work

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history-painting

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engraving

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realism

Dimensions: height 220 mm, width 170 mm

Copyright: Rijks Museum: Open Domain

Curator: This is a print, titled "Portret van E.J. Delrieu," created sometime between 1797 and 1845 by Pierre Joseph Tavernier. It's an engraving, rendered in fine detail. Editor: My immediate impression is of subdued elegance. The limited palette creates a sense of calm, almost solemnity, focusing all attention on the subject's features and bearing. Curator: Notice how the engraving uses tight, meticulous lines to describe the gentleman's features—his somewhat tousled hair, the set of his jaw. Consider this in the context of portraiture conventions; it presents a very deliberate image. The very fact it is reproduced by engraving grants this image wide cultural distribution, granting the subject historical weight, beyond its inherent function. Editor: Yes, and structurally speaking, the composition adheres to a classic format. The portrait is neatly framed by a rectangular border, with the subject placed slightly off-center, drawing the eye in a specific path—from the soft folds of his cravat up to his direct gaze. This controlled composition enhances the portrait’s formal character. Curator: His gaze, fixed and steady, seems designed to convey gravitas and trustworthiness, typical of how those in positions of power were memorialized in that era. However, there’s a softness around his eyes and mouth suggesting that this could have a psychological or human component to the overall composition, not a flat and purely idealized symbolic reading. It perhaps allows the viewers, especially of the future to make more sympathetic connection. Editor: From a formal viewpoint, this softness tempers what could have been a rather stiff representation. The textures are fascinating too. The artist uses contrasting line weights to differentiate the sheen of the coat from the matte quality of his hair and the crisp linen of his cravat, providing varied tactile feedback. The subtle gradations of tone shape and reveal, but also to obscure slightly and tantalize, the subject. Curator: Precisely. In its subtle way it bridges the personal and the archetypal, speaking volumes about both the individual and the social ideals of his time. I wonder who Mr. Delrieu was. I imagine this image might have become ingrained, maybe his heirs held his beliefs. Editor: It's remarkable how much information is conveyed through such restrained means. It certainly offers a lens into a specific moment and the power of portraiture, wouldn't you agree?

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