Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ 1726 - 1736
drawing, ink
portrait
drawing
baroque
figuration
ink
history-painting
christ
Dimensions 4-7/16 x 2-15/16 in. (11.2 x 7.5 cm)
Curator: Here we have a drawing titled "Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ" created sometime between 1726 and 1736 by Pedro Duque Cornejo. It's currently housed at the Metropolitan Museum of Art. Editor: Oh, look at this—the Saint and cherubs look as if they're emerging directly out of a dream! There's something wonderfully unrefined about the whole sketch, yet it really gets across this sense of beatific floating and pious zeal all the same. Curator: The dynamism achieved through simple ink strokes on paper is striking, isn’t it? Notice how the Saint's garment is rendered with these dense, parallel lines to create depth and texture. And consider the intentional use of hatching to define the cloudscape supporting the figures. This illustrates not only the materiality of form but also its symbolic elevation. Editor: Absolutely, the loose style somehow elevates its subject matter—literally! Those putti look more mischievous than angelic, really. Like, maybe they're a bunch of apprentices who only just learned how to sculpt those adorable limbs, haha. And that babe—baby Jesus— looks rather disgruntled to be held by what appears to be the patron saint of children— or a likeness, rather, ha. Do you think this Stanisław Kostka was as pleased by this representation? Curator: It is thought that this drawing may have been a preparatory study for a sculpture of some sort. So, naturally the stylistic choices here focus less on refined portraiture, more on visualizing masses and establishing a composition's contours. Editor: That explains the energetic yet imprecise form of everything then! You get a real sense of what this might be later, its presence looming in this inkblot, if you will. Curator: Precisely. The baroque theatricality here speaks of dramatic aspirations, of the artist envisioning this sketch transcending into a larger work that becomes a vehicle of sacredness through shape. Editor: And yet it really thrives as a pure drawing too! In a way I like this little, energetic doodle much more. It somehow is full of possibility as such! It gives you faith. Curator: A sentiment worthy of contemplation in light of Cornejo’s intentions, wouldn't you agree? Editor: Definitely, it's truly special.
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