A Girl Holding a Hare by Stefano della Bella

A Girl Holding a Hare 1648 - 1658

0:00
0:00

drawing, print, etching, engraving

# 

drawing

# 

ink drawing

# 

baroque

# 

print

# 

pen sketch

# 

etching

# 

engraving

Curator: Welcome. Today, we're looking at Stefano della Bella's print, "A Girl Holding a Hare," created sometime between 1648 and 1658. It's an etching, a beautifully detailed little thing. Editor: It has an undeniably strange energy! There's a young woman, rendered so delicately, but the entire composition feels chaotic, almost surreal. And what is going on with that…dog-creature at her feet? Curator: That tension between the delicate and the bizarre is classic della Bella, truly. The etching needle captures a world teeming with symbols, echoing the complexities of Baroque sensibilities. Consider the hare; in some contexts, it can represent both vulnerability and fertility. Editor: So, the girl holding the hare – what might that suggest about the power dynamics? It’s unsettling. The ornate frame engulfing the figure, complete with grotesque animals, feels oppressive, almost as if containing or commenting on female agency. Is it about control? Or some commentary on social performance? Curator: Baroque art, you see, often presented the world as spectacle, a stage for both triumph and tragedy. The framing devices emphasize this. That swirl of flora and fauna is less about oppression, perhaps, than it is about the cycles of nature, the bounty and the brutality that exist side-by-side. It shows us an intricate vision of life, always intertwined with death, desire, and decay. The little dog could simply be an allegory, and Bella also loved to feature those symbols of domestic life in his allegorical work. Editor: That connection between "bounty" and "brutality" is spot on, I think. Is she both participant and prize in some societal game? And those grotesque figures—they unsettle established aesthetics to force a new way of seeing. What does it tell us that that dog is half animal, half ornamentation? Are our symbols solid, or are they also a product of display? Curator: They are constantly being repurposed. The beauty of etching lies in its capacity for nuance, a medium so suited to reveal hidden meanings, and bella loved exploring them, and turning what seemed clear on its head. Editor: It definitely gives one a lot to consider! Thank you, that was really insightful! Curator: Thank you! I am glad I could shed light on it for you.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.