[Detachment of 50th N.Y. Volunteer Engineers, Pontoon Wagon and Saddle Boat] 1862 - 1866
print, photography, gelatin-silver-print
boat
war
landscape
photography
gelatin-silver-print
Dimensions: Image: 6 3/4 × 8 7/8 in. (17.1 × 22.5 cm) Mount: 12 in. × 17 13/16 in. (30.5 × 45.2 cm)
Copyright: Public Domain
Editor: This photograph, taken by Timothy O'Sullivan between 1862 and 1866, shows a pontoon wagon and saddle boat used by the 50th New York Volunteer Engineers. The desolate landscape and the almost mournful stillness of the boat on land strikes me. What do you see in this image? Curator: It’s fascinating how O’Sullivan captures more than just the physical objects. Look at the wagon – it's a tool of war, but rendered inert, almost as a relic. Do you think the skeletal trees contribute to this feeling of symbolic emptiness, a kind of waiting? Editor: Absolutely, there's a sense of anticipation, but also of abandonment. The bare trees definitely enhance the mood. The boat isn't in the water. It's sitting still in an off-season setting, suggesting a suspension of purpose. Is this about more than just documenting war? Curator: Indeed. Consider the symbolic weight of water. Throughout many cultures, water symbolizes change, purification, and transition. But here, the boat, normally in its element within water, is beached and stranded. O'Sullivan, intentionally or not, seems to capture a war's lingering psychic toll. How does knowing that transform your interpretation? Editor: It definitely reframes it. I initially saw it as a purely documentary image, but now I see a powerful symbol of disrupted cycles, and even lingering trauma. The potential for movement and connection inherent in a boat is sidelined. Curator: Precisely. And perhaps the larger trauma of a nation divided. We bring our own baggage of symbols to the image and let the image change our preconceptions in turn. Editor: This has given me a completely new perspective. Thanks!
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