Ton, ton, ton, ton, ton, t..... “- Be quiet, my wife has a headache!. - Why don't you read a drama in five acts with a similar orchestra! - Stop it... my little one gets the colic!” Ton, ton, ton, ton, taine..., plate 2 from Les Musiciens De Paris by Honoré Daumier

Ton, ton, ton, ton, ton, t..... “- Be quiet, my wife has a headache!. - Why don't you read a drama in five acts with a similar orchestra! - Stop it... my little one gets the colic!” Ton, ton, ton, ton, taine..., plate 2 from Les Musiciens De Paris 1841

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Dimensions 220 × 183 mm (image); 357 × 267 mm (sheet)

Editor: We are looking at "Ton, ton, ton, ton, ton, t..... \u201c- Be quiet, my wife has a headache!. - Why don't you read a drama in five acts with a similar orchestra! - Stop it... my little one gets the colic!\u201d Ton, ton, ton, ton, taine..., plate 2 from Les Musiciens De Paris," a lithograph by Honoré Daumier, created in 1841. There's so much packed into this image - music, annoyance, the realities of city life. What strikes you most when you look at this piece? Curator: What grabs me is the sheer, chaotic energy bursting from within that little frame. Daumier wasn't just drawing musicians; he was capturing a slice of 19th-century Parisian life, complete with its noise and frustrations. Notice how he uses line and shading -almost frenetically- to amplify the din! I hear the blare of those instruments. I sense the headache building! Have you ever felt like that? Overwhelmed by a cacophony? Editor: Totally. The expressions on the musicians' faces! They’re so intense, lost in their own world while seemingly oblivious to the chaos they’re causing. Is that caricature a reflection on musicians, or more about the everyday frustrations of urban life? Curator: I think it's both, clever you. Daumier's social commentary is always sharp. He lampoons the musicians' obliviousness but also the overly sensitive neighbours—the woman with the headache, the poor baby with colic. I imagine Daumier saw the humour in the clash between artistic expression and daily annoyances. Perhaps there's an inherent tension between the beautiful and the irritating. Does this work speak to tensions that still exist today? Editor: I guess so. Thinking about noisy neighbors and creative expression. It all seems so… timeless. Curator: Precisely! It reveals that even in 1841, humanity was grappling with finding harmony in a dissonant world. Editor: This lithograph is more relatable and revealing than I first thought!

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