Child's High Chair 1939

Herman Stroh made this watercolor rendering of a child’s high chair sometime in the 20th century. It’s a curious image, at once a practical depiction of a common household object and a meditation on domestic life. Made in America, this image reflects the rise of consumer culture and the growing emphasis on childhood as a distinct phase of life. High chairs, like this one, became increasingly common as families had more disposable income and dedicated space in the home for children. The artist’s close attention to detail suggests an interest in documenting vernacular design, possibly reflecting the influence of the Arts and Crafts movement’s focus on simple, functional forms. Yet, the broken arm wrapped with string also hints at the wear and tear of family life. Understanding this image requires us to consider the broader context of American domesticity and design in the 20th century. Museum archives, design history journals, and period catalogs would provide additional perspectives on this humble yet evocative object.