untitled [seated nude crossing her legs at the ankles] 1955 - 1967

Richard Diebenkorn made this drawing of a seated nude woman sometime in the 20th century. The figure's legs are crossed at the ankles, a seemingly simple gesture that echoes through the ages. This pose evokes a sense of contemplation and introspection, linking it to classical sculptures of reclining figures found in ancient Greece. It reappears during the Renaissance, reflecting the rediscovery of classical forms and ideals. The gesture of crossed legs—often signifying modesty or composure—evolves through history. Consider how it appears in religious art, such as depictions of the Virgin Mary, where it conveys serenity and grace. Yet, in more secular contexts, it may suggest a quiet sensuality or self-possession. The emotional impact of this simple gesture lies in our collective subconscious. And so, this motif resurfaces, each time imbued with new significance yet resonating with echoes of the past.