Armchair c. 1902
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Otto Wagner's "Armchair" (c. 1902), a prime example of the Secessionist movement in Vienna, embodies the era's emphasis on clean lines and functional design. The chair, crafted from wood and upholstered in leather, showcases the stark geometry and simplicity that defined the Secessionist style. The chair's minimalist form, with its smooth curves and minimal ornamentation, reflects Wagner's focus on practicality and a rejection of historical ornamentation. Its black lacquered finish and silver accents create a striking visual contrast, while its red leather upholstery adds a splash of vibrant color. The chair currently resides in the Minneapolis Institute of Art.
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Yet to receive the credit he deserves, Otto Wagner was the patriarch of Viennese modernity. Among his students were Adolf Loos, Josef Maria Olbrich, Josef Hoffmann and Leopold Bauer to name a few. This chair precedes a variant armchair (1904-06) designed for his famous Postal Savings Bank in Vienna. The chair form was subsequently produced commercially in several variations by J. & J. Kohn and the rival firm Gebrüder Thonet which likewise produced furnishings for the Savings Bank. Wagner was the first of his colleagues to incorporate aluminum into his interior elements and furniture.
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