Copyright: Public Domain
Ernst Ludwig Kirchner made this title vignette for the Brücke artists’ group manifesto with woodcut. It's so graphic! The relief of the woodcut gives it a physical presence, something really tactile. Look at the way the letters of ‘Brücke’ have been carved – or rather, not carved – out of the block of wood. The process here is so clear. It's all about the push and pull of the tool against the resistance of the material. That tension is the essence of the image. The shapes are really simplified and this almost crude approach suggests an intensity of feeling. It reminds me of Picasso, but with more jagged edges. Like Picasso, Kirchner was fascinated by non-Western art. You can see that interest here, particularly in the mask-like forms at the top and bottom of the block. It's a reminder that art is always a conversation between different cultures and different ways of seeing.
In 1906, Kirchner wrote the Brücke manifesto and cut it in wood. “Everyone who reproduces, directly and in unadulterated form, whatever he senses the urge to create, belongs to us”, it proclaims. Set in block-like manner in a slender vertical rectangle and angular capital letters, the text itself has become an artwork. Associations with the book art of the Middle Ages come to mind. The manifesto was sent out to the ‘passive’ members of the Brücke and laid out at exhibitions for visitors to take with them.
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