X-radiograph(s) of "Madonna and Child" 

Curator: Here, we have a fascinating X-radiograph of "Madonna and Child," attributed to Giovanni Battista Bertucci I. Editor: It's like seeing the ghost of a painting. I’m immediately struck by the fragmented, almost ethereal quality. It's a peek behind the curtain. Curator: Indeed. The X-ray reveals the underlayers, the artist's process, and even past restorations—allowing us to analyze the artwork's historical journey and how it has been contextualized throughout its existence. Editor: I can almost sense the artist's hand, the choices they made—revealed through the density of the paint. This process offers such a unique lens on artistic intention! It's like a dialogue across centuries. Curator: And situates the work within broader discussions about materiality and the role of technology in art historical analysis. This offers fresh perspectives on authenticity and the very construction of art historical narratives. Editor: It’s wild to see a painting stripped down to its bones, somehow it makes the original conception feel more vivid. So much for keeping secrets, eh? Curator: Ultimately, it expands our understanding, challenges our assumptions about art's creation and life, and invites a richer, more nuanced engagement. Editor: Precisely. I’m now keen to see the artwork in person, knowing so much lies beneath the surface.