Zwart-wit vogeltje tussen roze rozen 1892

Imao Keinen created this print of a black and white bird among pink roses using woodblock printing, a popular technique in Japan. Keinen was part of a shift during the Meiji era, from 1868 to 1912, when traditional Japanese art forms adapted to incorporate Western influences. During this period, Japan opened its doors to international trade and cultural exchange, impacting the art world. Artists like Keinen navigated between established Japanese aesthetics and new ideas, blending traditional bird-and-flower painting, a popular subject for the aristocratic elite, with Western realism. By studying the history of art institutions during this time, we can learn about the changing values and cultural priorities in Japanese society. We can explore archival materials, such as exhibition catalogs and critical reviews, to gain a deeper understanding of how Keinen's work was received and how it contributed to the development of modern Japanese art.