Als de dienstboden "huisbeambten" zullen zijn by H. van Ooijen

Als de dienstboden "huisbeambten" zullen zijn Possibly 1898

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drawing, paper, ink

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drawing

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aged paper

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quirky sketch

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narrative-art

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caricature

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sketch book

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cartoon sketch

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paper

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personal sketchbook

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ink

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sketchwork

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sketchbook drawing

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watercolour illustration

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storyboard and sketchbook work

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academic-art

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sketchbook art

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modernism

Dimensions height 401 mm, width 310 mm

Curator: Here we have H. van Ooijen’s “Als de dienstboden ‘huisbeambten’ zullen zijn,” possibly from 1898. It's an ink drawing on paper, quite detailed. Editor: It strikes me immediately as humorous, even a bit absurd. The caricatures have such distinct expressions and postures. The use of hatching creates such an appealing texture. Curator: The drawing style is reminiscent of academic art blended with modernism; this work operates as a narrative, seemingly satirical, artwork with an overt political message related to the lives and roles of servants in society. Look at the bottom of the image – we see the words “Als de dienstboden ‘huisbeambten’ zullen zijn” – which translates roughly to “If the servants will be ‘house officials’”. It seems a satirical view of societal change, where traditional roles become bureaucratized. Editor: Right, I see how the piece satirizes the formalization of domestic service. Notice the contrasting visual styles used for the figures: the exaggerated expressions, and postures capture the anxiety of this transition. What’s fascinating is how van Ooijen employs varying perspectives. Curator: Precisely. Take the female servant pictured in the bottom-left. Her presence almost evokes traditional artistic interpretations of servitude, in strong contrast to the figures pictured centrally on the paper in ancient garb. And each vignette presents a facet of this shifting dynamic, wouldn't you agree? Editor: Absolutely, and it goes beyond just a commentary on labor. It appears to engage with late 19th-century Dutch society, revealing the ways that class, profession, and changing social structures intersected and fueled anxieties. It is truly a sign of changing times depicted using social commentary and visual symbolism. Curator: This sketch allows for a rich interplay of formalism and historical insight. Van Ooijen masterfully composes the page, orchestrating the images and symbols in a sophisticated manner. Editor: And seeing it within the broader history of labor movements and societal shifts gives a profound resonance, reminding us of the ways art can reflect, critique, and shape social change.

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