The Virgin and Child in Glory Adored by Saints Catherine and Lucy 1562 - 1618

Dirck Hendricksz, also known as Centen, created this drawing of the Virgin and Child in Glory with Saints Catherine and Lucy using pen and brown ink, with white gouache highlights, on blue paper. The drawing's material qualities greatly influence its appearance, particularly how the contrast of the brown ink and white gouache against the blue paper creates a sense of depth and luminosity, drawing the eye into the ethereal scene. The layered effect of the drawing reflects the time-honored techniques of preparatory sketches for larger paintings or frescoes. The artist employed skilled handwork to create this layered effect, carefully modulating the tones to define forms and evoke a sense of divine radiance. Hendricksz's choice of traditional art materials, like pen, ink, and gouache, connects this drawing to broader issues of artistic labor and cultural production. The act of drawing, though seemingly simple, requires significant skill and training, reflecting the artist's investment in mastering traditional techniques. By understanding the material and processes involved, we gain a richer appreciation for the artwork's meaning and significance.