Portret van een vrouw, aangeduid als Mme. Alexandre Maréchal nee Le Quentrec by Louis Martin

Portret van een vrouw, aangeduid als Mme. Alexandre Maréchal nee Le Quentrec 1870 - 1900

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photography, gelatin-silver-print

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portrait

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photography

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gelatin-silver-print

Dimensions: height 140 mm, height 107 mm

Copyright: Rijks Museum: Open Domain

Curator: What a hauntingly elegant image! I am just captivated by the way the photographer, Louis Martin, managed to catch this pensive gaze in what they titled "Portret van een vrouw, aangeduid als Mme. Alexandre Maréchal nee Le Quentrec." Editor: It certainly has an other-worldly charm! The soft sepia tones against the stark lighting cast a spell. Her distant look certainly adds to the melancholy. Do you know how Martin conjured this effect? Curator: Indeed. Made with a gelatin silver print between 1870 and 1900. A technique known for capturing rich details, as seen in the lace. This technique, still nascent, added a depth unavailable with earlier processes, allowing her features to become, I would suggest, even more emotionally telling! Editor: Her headdress, those elaborate floral decorations… is it possible they signify something, encode social standing or some other marker of identity, some sort of signifier that now is lost? The photographic process has created almost theatrical lighting here. Curator: Most assuredly! Such portraiture demanded meticulous staging and symbolic displays of power, rank, and virtue—I do so agree with you that it's not quite theatre, but nearly a masquerade. That gentle and serene expression might as well conceal secrets or yearnings, as all of our portraits do! Editor: What I do so love about old images, is this notion they're windows in time. This portrait captures not just a face, but perhaps a whole bygone era in Europe— the end of empires, industrial growth. And as someone that likes to see how the formal components combine with societal pressures it almost demands consideration of both, rather than either. Curator: Right! And considering all this is an imaginative endeavor and artistic project of the photographer who, I like to think, must have felt every single step was an emotional exchange. This "window in time," as you mentioned, becomes both hers, ours, theirs! An infinite mirror!

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