Gezicht op de Engelenbrug en de Engelenburcht te Rome by Edizione Brogi

Gezicht op de Engelenbrug en de Engelenburcht te Rome before 1907

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print, photography

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print

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river

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photography

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ancient-mediterranean

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cityscape

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realism

Dimensions height 200 mm, width 250 mm

Curator: This is a photograph titled "Gezicht op de Engelenbrug en de Engelenburcht te Rome," captured by Edizione Brogi sometime before 1907. Editor: My initial impression is one of stillness, a captured breath of Roman life. The monochrome palette gives it a timeless quality. Curator: Indeed. Notice the vantage point. Brogi carefully selected this view, emphasizing the relationship between the Castel Sant'Angelo and the Ponte Sant'Angelo, and what that meant for photographic process at the time. Consider the technical constraints; the exposure time and development processes involved in creating such a clear image, capturing so much detail with such heavy gear. Editor: Absolutely. But it is also the potent symbols – the Castel Sant'Angelo, originally Hadrian's mausoleum, transformed into a papal fortress! It looms, a silent witness to centuries of Roman history. Curator: The city’s continual repurposing is clear in this photographic document. Each of these stones laid upon each other and reformed over millennia. You cannot ignore that labour, it gives form and content to these documents. Editor: I'm also drawn to the bridge itself, adorned with angelic figures. Each angel carries a symbol of Christ's Passion. This visual reminder of faith juxtaposed with the military strength of the castle is striking, but not, for that matter, new, as its symbols had been shifting for over a millennia before this document came to be. Curator: Let us not dismiss those figures in the boat, foregrounded like some artistic intervention or casual aside from history in this printed item, and of the photographic process it went through. They add scale and emphasize the relationship between daily life and grand historical narratives. Editor: They certainly give us a point of entry, inviting us to contemplate the continuity of human existence against the backdrop of enduring symbols. Curator: It highlights that our own experiences are shaped by material realities and social processes far greater than any given symbol might suggest. Editor: Very well. This artwork serves to show how deeply layered symbols become with a complex story only accessible through looking. Curator: Indeed, understanding this piece encourages reflection on material and meaning.

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