Rome_ Fishermen on the Tiber near the Castel Sant’Angelo c. 1860
albumen-print, paper, photography, albumen-print, architecture
albumen-print
16_19th-century
landscape
paper
photography
cityscape
italian-renaissance
italy
watercolor
albumen-print
architecture
realism
Gioacchino Altobelli made this albumen print of Rome, showing fishermen on the Tiber near the Castel Sant’Angelo, sometime in the mid-19th century. In this period, photography was still a relatively new medium, often used to document landscapes and cityscapes with a sense of scientific precision. But the choice of subject also speaks to a rising interest in the lives of ordinary people. Here, the fishermen are shown in their daily work, framed by the iconic architecture of Rome, including the Castel Sant'Angelo, originally a Roman mausoleum, later a papal fortress. The image reflects a wider European fascination with Italy as a site of both classical history and contemporary life. The composition, with its picturesque arrangement of figures and buildings, suggests an awareness of artistic traditions, while the photographic medium hints at a desire for objective documentation. To fully understand this photograph, we can delve into the history of photography, 19th-century tourism, and the social dynamics of Rome during this period. Only then can we grasp its significance as a cultural artifact, shaped by specific historical forces.
Comments
Gioacchino Altobelli had previously been active as a history and portrait painter. Here he staged Christian Rome in a photographic composition distinguished by the utmost harmony. The Ponte Sant’Angelo with its Baroque sculptures by Gian Lorenzo Bernini divides the pictorial field about halfway between top and bottom, leaving plenty of space for the reflections of St Peter’s Basilica and the Castel Sant'Angelo in the smooth surface of the Tiber. The photographer was judicious in his choice of staffage in the foreground. The pipe smoker’s fishing rod and the long stick leaning against the shoulder of the man on the bank point the viewer’s gaze to the main monuments, which appear all the more imposingas a result. At the same time, with the fishing motif Altobelli was alluding to symbolic imagery widespread in the Christian pictorial tradition. He was one of the city’s most successful photographers.
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