quirky sketch
pen sketch
personal sketchbook
idea generation sketch
sketchwork
pen-ink sketch
pen work
sketchbook drawing
storyboard and sketchbook work
sketchbook art
Dimensions height 165 mm, width 215 mm
Curator: This pen and ink sketch by Pietro Ruga, created in 1817, offers a glimpse into the artist’s mind. Titled “Ornamenteel vaatwerk en een beeld met een gevleugelde figuur” or “Ornamental Vessels and a Statue with a Winged Figure”, it is part of a sketchbook art series. Editor: It strikes me as almost dreamlike. These meticulously rendered objects floating on the page—disconnected yet related—like fragmented memories trying to assemble themselves. There is some melancholy about it. Curator: That's interesting. These are, after all, essentially design studies. I wonder how the sketchbook medium might have served a broader project—like neoclassical tastes or social competition based on elegant commodities and decoration? Editor: Maybe that contributes to my perception? Each vessel tries so hard to please with ornament! It’s as though these containers are attempting to contain or hold a certain value—beyond, perhaps, mere function. That feels a bit desperate, perhaps. I wonder about that winged figure who appears to write or draw. Curator: A muse, perhaps. I'm fascinated by the composition, and how Ruga arranged and presented forms related to civic identity and luxury to a public increasingly aware of this competition for status through commodities. This would not have only appealed to wealthy buyers of objects. Editor: Civic identity is such an interesting way of describing the composition. They look like relics arranged within the set of some allegorical drama…waiting for something or someone. Perhaps even…us. It reminds me a little bit of the quiet stage in a cabinet of curiosities or theatre, set to receive new mysteries. Curator: Exactly, Ruga would likely want his work and designs to perform such mysteries for society. This drawing opens a fascinating window into his influences. Editor: It feels significant to understand this sketchbook within a broader framework, giving insight into its creator. Curator: I completely agree. Studying Pietro Ruga is like traveling in a time machine to understand the origin of modern object hood and tastes. Editor: It gives a certain kind of weight to this whimsical notebook art.
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