Lt. Gen D.L. Vermasen, Opperbevelhebber 's-Hertogenbosch 1867

Curator: Today we’re looking at "Lt. Gen D.L. Vermasen, Opperbevelhebber 's-Hertogenbosch," a pencil drawing from 1867 attributed to Cornelis Sebille Roos, housed at the Rijksmuseum. The delicacy of the pencil work gives it a kind of intimate, personal feel, even though it depicts a military figure. What strikes you about this piece? Editor: The detail in the uniform, especially the epaulettes, contrasts with the softer treatment of the face. How would you interpret this choice of detail and form? Curator: Consider how the sharp delineation of the uniform’s adornments highlights structure and order, key facets of military life. Observe the contrast of textures, achieved through hatching and cross-hatching with varying degrees of pressure. Now, let us explore the relation between the sitter’s gaze and posture; does it engage or distance the viewer? Editor: I think it’s meant to be imposing, but the softer features give it a humane, almost approachable quality, despite the rigid pose. Are there aspects of this sketch that deviate from traditional portraiture of the time? Curator: The focus here leans more toward a visual record than a declaration of power, notice how line, form, and composition are deployed. It emphasizes materiality and medium through the visibility of its craft—a pencil sketch made public. How does the artist’s style influence its reception today? Editor: I can see what you mean about visual record versus declaration. Understanding the artist’s choice of detail really brings out those intentions. Curator: Exactly, and the beauty lies in appreciating the intricate composition achieved by pencil—transforming historical context into immediate visual form. Editor: It really underscores how technical skill influences interpretation, adding nuance to understanding what the artwork conveys.