Trim c. 20th century

Editor: We’re looking at "Trim," a textile ornament probably made around the 20th century by the Sisters of the Order of St. Benedict. It’s got this beautiful vertical design, rich reds and golds, and these fascinating, almost heraldic looking creatures repeated along its length. It feels very… regal, somehow. What jumps out at you when you look at this, particularly considering its place within a religious order? Curator: Ah, "regal" is such a fascinating word to use. It DOES possess a certain quiet authority, doesn't it? It makes me wonder, what does it mean to imbue a religious object with that sort of power? Look closely at those stylized creatures. Are they guarding something, perhaps? Or perhaps, these figures and ornate details served as a tangible link to the divine for the people using or viewing them. What do you think, does that read as pompous or comforting to your sensibilities? Editor: I see what you mean. Guarding something… maybe not physical treasure, but symbolic or spiritual purity? Comforting, I think, ultimately. Like a beautiful, intricately woven prayer. The craftsmanship alone must have been meditative. It also places artistic labor at the service of their faith. Curator: Exactly. This is more than just pretty fabric. Think about the repetitive nature of the design. How does that resonate with the routines and rituals of monastic life? What I appreciate the most is the intentionality imbued into it. Editor: So, it’s less about the individual maker and more about the collective devotion expressed through art. I hadn't considered it that way! Curator: Precisely. And by contemplating these figures, we get a small glimpse into how visual design affects daily rituals, both within monastic orders and our lives. The artist has certainly provided something unique to admire and analyze.