Dimensions: frame: 1325 x 925 x 45 mm image: 1190 x 790 mm
Copyright: © Gillian Wearing, courtesy Maureen Paley/ Interim Art, London | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Gillian Wearing's photographic piece, ‘I signed on and they would not give me nothing’, captures a stark moment of social commentary. Editor: Immediately, I see a figure isolated against a tiled wall, the 'No Smoking' sign looming almost like a judgement. The handwritten message adds a rawness. Curator: Wearing’s work often engages with marginalized voices. This image, with its direct plea, underscores systemic failures and the individual's struggle within bureaucratic structures. Consider the politics of visibility at play. Editor: The averted gaze and the stark lettering, almost childlike, convey vulnerability. It’s a powerful, if bleak, distillation of helplessness that speaks to something very ancient. Curator: Absolutely. The image implicates us, the viewers, forcing us to confront uncomfortable truths about social inequality and the precarity of existence for so many. Editor: A sobering, important reminder. The symbols here – the sign, the written words – coalesce into a potent image of modern alienation.
http://www.tate.org.uk/art/artworks/wearing-i-signed-on-and-they-would-not-give-me-nothing-p78350
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Wearing’s photographs explore how the public and private identities of ordinary people are self-fashioned and documented. For this series, Wearing stood on a busy street and asked passers-by to write down what was on their mind. She then photographed them holding their statements. A broad cross-section of people participated in the photographs. The series provides a fascinating social and historical document as it refers to the economic decline in Britain in the early 1990s as well as the expression of intimate thoughts or personal convictions. Gallery label, August 2018