Puppet, Hotel St. Paul by Jim Goldberg

Puppet, Hotel St. Paul Possibly 1987 - 1994

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photography, gelatin-silver-print

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portrait

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black and white photography

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photography

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black and white

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gelatin-silver-print

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monochrome photography

Dimensions sheet: 35.4 × 27.6 cm (13 15/16 × 10 7/8 in.) image: 32.3 × 19.9 cm (12 11/16 × 7 13/16 in.)

Curator: Welcome. Let's turn our attention to this striking black and white photograph by Jim Goldberg, titled "Puppet, Hotel St. Paul," likely taken between 1987 and 1994. It’s a gelatin-silver print, so we’re looking at a traditional darkroom process here. Editor: Immediately, I’m struck by the severe contrast. The silhouette of the figure almost disappears against the brilliant light source, which gives the whole scene an unsettling, high-key drama. It's as if we are witnessing a stark moment caught in a transient space. Curator: Goldberg's work often deals with marginalized communities and raises questions about social structures. The photograph was likely captured at the eponymous hotel, and the transient nature of hotel living would imply an inherent labor structure and level of material comfort. Notice how the shadow from the adjacent fixtures appears to be consuming our subject. The bathroom items imply intimacy, domesticity, and hygiene, but its darkness looms. Editor: Yes, that’s a very poignant reading. But taken just visually, I'm intrigued by the geometric relationships here. The rectangular shapes of the door against the figure creates a visually complex space, one that keeps the eye moving back and forth. I'd also point out the way the photographer used light—not to reveal but to conceal. Curator: It makes you consider what might be motivating the photographer. I am also very interested in what may be outside of the frame. Editor: Absolutely. Ultimately, the lack of context, and of a facial expression to attach an emotion to, makes us more aware of how the forms interplay—the balance and imbalance inherent in a carefully calibrated composition. There is a sort of existential weight suggested through that stark composition. Curator: Considering the process and intention provides a framework to examine the social undercurrents at play here, the possible narrative and realities embedded in this place and time. This informs the forms in this photograph. Editor: And in appreciating these stark visual strategies, it heightens our sensitivity to the emotional layers. Curator: A fine and haunting image that shows us how a focus on process illuminates content. Editor: Indeed. It makes me appreciate that this arresting image encourages careful looking and nuanced reflection on visuality, in addition to the more profound message and intention.

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