Acteursportret met gedicht by Kitao Shigemasa

Acteursportret met gedicht 1762

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print, woodblock-print

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print

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asian-art

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ukiyo-e

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woodblock-print

Dimensions height 391 mm, width 164 mm

Curator: Here we have "Acteursportret met gedicht," a woodblock print created in 1762 by Kitao Shigemasa. The subdued tones and stylized depiction immediately conjure a sense of the traditional and theatrical. Editor: Indeed. The print, a tangible product of meticulous craftsmanship, presents an intriguing insight into the world of Kabuki theater and the artistic practices surrounding its material presentation. The actor is clearly the focus, yet it also appears to function as advertising as such it is a fascinating window into the economic networks surrounding the art form. Curator: Exactly. Note the composition – the elegant S-curve of the figure, the placement of the poem above, balancing text and image. The lines create a rhythmic movement, guiding the eye across the surface. It feels very deliberately staged, echoing, perhaps, the stagecraft of the Kabuki itself. Editor: Right, look at the texture of that robe and the fan. You see not just an image of clothing but also, the actual materials replicated here. This becomes not just a record of someone's image, but their material reality and role within the wider theatrical landscape. Curator: Precisely. The artist, Shigemasa, seems deeply concerned with capturing not just a likeness, but also a mood—one of contemplative restraint. The formal structure communicates much about his persona and representation within the theatrical conventions of his era. Editor: Also, the printmaking process – how many impressions were made and who had access to them. That detail helps illuminate the ways in which cultural capital operated. Kabuki actors became almost brand names themselves! The work tells a tale beyond mere artistry—it is fundamentally about accessibility and fame. Curator: It's a complex layering of performance, production, and portrayal! Reflecting on Kitao Shigemasa's artistic approach through the lenses of visual structure and formal arrangements invites us to probe the intersections of art, stagecraft, and cultural meaning. Editor: Looking closely at this print brings attention to the hands-on process, labor dynamics, and its societal usage beyond just artistic merits; it's ultimately tied into understanding networks of labor and consumption that existed within Edo-period Japan.

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