The Actor Bando Hikosaburo II c. 1760

Editor: Here we have "The Actor Bando Hikosaburo II," a woodblock print by Torii Kiyomitsu from around 1760. I’m struck by the figure’s poised stance and the almost melancholic feel given by the willow tree. How do you interpret this work? Curator: The figure, identified as an actor, is powerful. We can consider this work through the lens of Ukiyo-e, “pictures of the floating world," which reflects the shifting social dynamics of Edo-period Japan. Notice the prominence given to the Kabuki actor. Kiyomitsu elevates someone from outside the traditional ruling classes, which signifies a moment of cultural change, right? Where the merchant class and their entertainments became dominant. The actor almost looks back at the viewer, as though inviting you to consider a changing social order. Editor: That's fascinating! So, it's not just a portrait, but also a commentary on the societal values of the time? Curator: Precisely. Consider, too, the stylized representation. How does the composition – the flat planes of color, the defined lines – reinforce this sense of constructed identity, of “performance,” if you will? It removes any illusion of 'naturalism' found in other period artworks and emphasizes how Kabuki challenged conventional aesthetics. Even something like the elegant willow tree—associated with mourning and farewells—could symbolize an ending for certain conservative traditions. Editor: I see now. The image presents not just an actor, but also this pivotal moment in history where performers start to challenge conventional culture! I really appreciate you highlighting this important cultural context, which changes my understanding of the piece entirely. Curator: And seeing it that way perhaps emboldens us to consider how similar artistic forms are working for societal progress even today. Thanks for considering those dynamics alongside me.