Iris: Pillow Book 2002

Curator: Robert Amory’s "Iris: Pillow Book," presents a vibrant, close-up image of an iris flower. I’m immediately struck by the cool tones. Editor: Yes, the dominant blues and greens create a serene, almost ethereal atmosphere. It appears to be some form of print. What can you tell me about its production? Curator: The piece is a unique combination of offset lithography and silkscreen printing, achieving its vivid colors. It invites consideration of the flower's internal structure through a semiotic lens. Editor: Interesting how these processes democratize the image, enabling its wide distribution. The choice of an iris—traditionally associated with royalty—printed in this way challenges conventional notions of value and artistic labor. Curator: Indeed, and the title, "Pillow Book," suggests a personal, intimate exploration—contrasting with its public display. Editor: I see a tension between the accessible means of its production and the complexity of its subject matter. It's a compelling interplay. Curator: Ultimately, its chromatic intensity leaves one to contemplate the symbolic and material dimensions of reproduction. Editor: I appreciate your viewpoint; understanding the means of production certainly expands my appreciation of the piece.