This letter to Jan Veth, penned by Paulus Gouda Quint, is made with ink on paper. It's an intimate artifact that sheds light on the social and economic realities of artistic practice in the late 19th century. The choice of materials speaks volumes. Paper and ink, readily available and relatively inexpensive, underscore the everyday nature of this correspondence. The script, flowing yet legible, hints at the writer's education and social standing. But beyond the surface, this letter reveals deeper connections to the art market. Quint discusses the possibility of creating a portrait for publication, weighing the costs of reproduction and distribution. The mention of "handel" – trade – highlights the artist's need to navigate the commercial aspects of his profession. It underscores the labour involved in the process, and reveals how artists had to grapple with the demands of the market while pursuing their creative vision. This humble piece of paper, inscribed with ink, offers a glimpse into the complex interplay between art, commerce, and social relations, reminding us that even the most seemingly mundane objects can hold profound cultural significance.