Erewacht te Den Haag, 1811 by Anonymous

Erewacht te Den Haag, 1811 1811

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drawing, pencil

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portrait

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drawing

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neoclacissism

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figuration

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pencil

Dimensions height 325 mm, width 230 mm

Curator: Here we have a drawing titled "Erewacht te Den Haag, 1811." Editor: It feels stiff. Very posed, almost like a mannequin display more than a real moment. Cold grandeur is what comes to mind. Curator: Indeed. Executed in 1811, this work, whose author remains anonymous, meticulously renders two soldiers, one mounted, with the medium solely pencil on paper. The style very deliberately employs Neoclassical principles. Editor: That pencil work, though, is fascinating. It’s so detailed, especially on the horse’s musculature and the elaborate braidings on the uniforms. It's controlled but lively, if that makes any sense. As if life is trying to fight its way into something very formally rendered. Curator: The composition strategically positions the standing figure to the left, grounding the composition, while the equestrian figure on the right introduces dynamic movement with the horse’s lifted foreleg. The contrast in their stances emphasizes rigid duty versus active engagement. Consider how line quality defines forms and textures, which contributes to the piece's representational accuracy. Editor: I find that really compelling, because the way it’s presented, that stiffness you talked about is also kind of vulnerable, in a strange way. The level of exactitude—it reveals a human desire for order and control in, perhaps, a very chaotic time. Is this Napoleonic? Curator: It certainly is, a point underlined by the themes evident here: the rigid formality, hierarchical depiction, and overall celebration of military might. The artwork embodies the socio-political climate of the Netherlands under French rule. Note how, even in what looks like a basic drawing, everything serves the grand narrative. Editor: Right. And yet that slight tilt of the horse's head, the tiny almost imperceptible details, makes me feel that artist may be seeing more of what they are painting; a kind of yearning, may be, hidden within this military order? Curator: An astute observation. "Erewacht te Den Haag" isn’t just about documentation; it encapsulates cultural values and power dynamics inherent in the historical moment it represents. Editor: Thanks. I think I’ll be turning over those thoughts on my walk today. It makes the viewing much more thought provoking.

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