Angkor, Cambodia, 1994 by Helmut Federle

Angkor, Cambodia, 1994 1999 - 2000

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Dimensions: image: 640 x 420 mm

Copyright: © Helmut Federle | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Helmut Federle captured this image, Angkor, Cambodia, in 1994. Editor: It's immediately striking, this intense blue, almost like a blueprint of a forgotten world. Curator: Federle's choice of the cyanotype process is deliberate; it speaks to early photographic documentation and the history of colonialism, doesn’t it? Editor: Yes, it's a powerful gesture. The formal composition, the way the tree's roots seem to become part of the structure...it blurs boundaries. Curator: Indeed. You see the labor involved in building Angkor contrasted against the slow, inexorable force of nature reclaiming it. Editor: The tonal range, despite being monochrome, really emphasizes the texture. Curator: A testament to nature's resilience and perhaps, human impermanence. Editor: It's a beautiful, poignant commentary.

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tate 5 months ago

http://www.tate.org.uk/art/artworks/federle-angkor-cambodia-1994-p78640

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tate 5 months ago

Blue Sisters, Structures of Deviance is a portfolio of ten prints executed in blue ink on white paper. Five are photogravures depicting trees. The other five are soft ground etching and aquatint on paper; these images are abstract and have a smaller plate size than the photogravures. The prints were produced at Druckatelier Kurt Zein in Vienna, where the artist lives and works. They were published in an edition of thirty-five with ten artist’s and publisher’s proofs; Tate owns number eleven in the edition.