Portrait of a Lady by Arthur Devis

Portrait of a Lady c. 1750 - 1751

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Dimensions: support: 610 x 406 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: This is Arthur Devis’s, Portrait of a Lady, currently residing at the Tate Collections. Devis lived from 1712 to 1787. Editor: She seems almost dwarfed by her surroundings and that magnificent dress. There's a touch of melancholy in her stance. Curator: It is a typical conversation piece from the period; these portraits were often commissioned to subtly convey social standing. Note how her dress and the estate in the background emphasize wealth and status. Editor: The blue purse hanging from her waist—the color pops, yet I wonder, what does it symbolize? Is it merely an accessory, or a deeper representation of something more personal? Curator: It is likely more of an aesthetic choice, but the formality of her pose, the landscape, it all constructs a narrative about the landed gentry, their control of their environment. Editor: Still, I cannot shake the feeling that her gaze hints at something more complex. The weight of her dress, the carefully constructed image, perhaps it speaks to the burdens of expectation. Curator: Perhaps, but these pieces reflect the society that created them. It’s about place, power, and identity, presented for public consumption. Editor: Maybe the symbols are simpler than I imagine. Still, the interplay of artifice and emotion is fascinating. Curator: Indeed, it gives us a window into the values and self-perception of a particular class at a specific time. Editor: Well, it certainly gives us a lot to consider, beyond the surface of silk and landscape.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/devis-portrait-of-a-lady-n03317

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tate 2 days ago

This portrait of an unknown lady in a landscape is typical of the small-scale single figures and 'conversation piece' groups in which Devis specialized all his life. His neat and genteel style appealed greatly to the newly enriched middle classes and his attention to detail is of great value to social historians. The house in the background almost certainly portrays the lady's actual home. She holds a knotting shuttle for making lace fringes, an activity considered highly suitable for the ladies of wealthy households. The ball of thread would be in the drawstring work bag hanging from her wrist. Her costume dates the painting to around 1750-55. Gallery label, September 2004