Inwijding van het Theatre Royale van Antwerpen, penning door de Staten van Antwerpen aan de architect P. Bourla geschonken by Laurent Joseph Hart

Inwijding van het Theatre Royale van Antwerpen, penning door de Staten van Antwerpen aan de architect P. Bourla geschonken 1834

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metal, relief, bronze, sculpture, architecture

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metal

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sculpture

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relief

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bronze

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sculpture

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ceramic

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history-painting

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architecture

Dimensions diameter 6.4 cm, weight 120.21 gr

Editor: Here we have an 1834 bronze medal by Laurent Joseph Hart, currently held in the Rijksmuseum, commemorating the inauguration of the Theatre Royale in Antwerp. It's quite fascinating to see architecture represented in this way. What stands out to you about this piece? Curator: What's striking is the use of bronze itself. This wasn't just a decorative choice. Bronze signified permanence and civic pride in the 19th century, associating the new theatre with established power. Who had access to bronze, and who commissioned its use? This immediately signals the theatre as a state-sponsored project rather than simply a commercial endeavor. Editor: That makes sense. I hadn't considered the material itself as such a key part of the message. The detailed depiction of the building seems important, too. Curator: Precisely. Consider the labor involved in its creation: mining, smelting, sculpting. It speaks to industrial processes and their application in celebratory works, highlighting the connection between art, industry and city governance. Are the architectural details exact, and what aspects of the building were emphasized during the making process of this medal? Editor: I'd say that, on the one side, the medal shows a full view of the theater. The other side gives credit to the architect. Curator: So it’s not just celebrating architecture as a concept. We see the deliberate decision to honour the architect, P. Bourla. Consider who's labor goes unrecognized: The craftsmen involved in designing and constructing the theater itself. Who benefitted economically from this construction? This shifts our focus to the social and economic forces at play. Editor: This has definitely changed my understanding of the medal. I was initially drawn to the image itself. But now, I appreciate how much the material and production methods contribute to its meaning. Curator: Exactly. Thinking about materials, processes, and social contexts unlocks narratives that simple image analysis overlooks.

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