photography, impasto, decalcomania, gelatin-silver-print
portrait
pictorialism
neo-impressionism
white palette
photography
impasto
decalcomania
gelatin-silver-print
modernism
realism
monochrome
Dimensions height 200 mm, width 130 mm
This is a photographic portrait of Anna de Savornin Lohman, created by Ferdinand Robert Ebner. The sepia tones and soft focus give it a timeless quality, but what I find most compelling is what it reveals about the social context of photographic portraiture. Consider the materials: photographic paper, and the chemical processes required to develop the image. In the late 19th and early 20th centuries, photography transitioned from a highly specialized, artisanal practice to a more accessible technology, yet the ritual of portraiture remained a carefully staged affair. Anna de Savornin Lohman's pose, clothing, and accessories speak volumes about her status and identity. The fur stole, the elegant gown, and the delicate jewelry all signify wealth and refinement. This photograph is a carefully constructed image, designed to project a certain image of the sitter. Photographs like these were not just personal mementos, but also powerful tools for social networking and self-promotion. By understanding the materials, processes, and social context of this portrait, we can gain a deeper appreciation of its historical and cultural significance.
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