Amy Williamson, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes 1890 - 1895
drawing, print, photography, albumen-print
portrait
drawing
figuration
photography
coloured pencil
albumen-print
Dimensions Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)
Curator: Looking at this albumen print from around 1890-1895, a trade card really, we see a portrait of Amy Williamson, part of a series of actresses put out by Duke Sons & Co. to promote their cigarettes. Editor: My first impression? There's a definite stillness, an almost melancholic mood. The sepia tone certainly adds to that, but it's also her gaze – a bit vacant, a bit world-weary, perhaps? Curator: That stillness, I think, is carefully constructed. Trade cards like these were tools, contributing to the burgeoning celebrity culture. They helped cultivate specific images of femininity that aligned with consumerism. Editor: Absolutely, but isn’t it interesting how that cultivated image clashes slightly with what I see as melancholy? She's presented as this ideal, stylish woman but something feels off, maybe in the implicit servitude within consumer capitalism and restrictive gender norms. It raises questions about the labor conditions of the time, and how these images might have been used to sell a certain lifestyle disconnected from many lived realities. Curator: It’s fascinating to think of the networks in which these cards circulated. Duke Sons & Co. intentionally connected smoking with aspirational lifestyles, but to whose benefit? And how does Williamson's own agency – or lack thereof – figure into this commercial enterprise? Were actresses complicit in promoting these brands, or merely subjects in a system? Editor: Considering it's essentially an advertisement, the intimacy is striking. It's more than just an object to sell a product; it creates an aspiration, and in the subversion of a slightly depressed actress an almost subconscious connection to her audience. We're not just buying cigarettes; we're buying a piece of *her* world, a fleeting brush with fame and fortune that, perhaps, leaves a slightly bitter aftertaste. Curator: Examining its place in advertising history sheds light on that era’s social fabric, offering insight into marketing tactics that commodified image and identity in new ways. Editor: Precisely, this little card becomes a powerful object of analysis through today's social and historical context, illuminating consumer culture's nuanced relationship with celebrity and image manipulation.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.