Paarden c. 1843 - 1920

Editor: This is "Paarden," or "Horses," by Hermann van der Moolen, dating from around 1843 to 1920. It's a drawing on paper using watercolor, and it feels like a compendium of different horse breeds or scenes. Each little vignette has its own character. What captures your eye when you look at this piece? Curator: Well, I'm immediately drawn to its encyclopedic quality. It reminds me of those old bestiaries, or even a kind of equine fashion plate! Each little scene offers a glimpse into a specific world and our relationship with these animals. What stories do you think each horse is telling? Editor: That's a great way to put it! The bottom left one, the English thoroughbred, seems regal and athletic, ready for the races. The one next to it, the hunting scene, feels chaotic and exciting. Curator: Exactly! Notice the detail in their musculature, the subtle color variations used to capture each breed. Van der Moolen wasn't just interested in depiction, he was also subtly commenting on status and environment. The very act of portraying these horses is rooted in deep respect and admiration. Editor: It’s fascinating how much he packs into each small image. Do you think he's making a larger statement about our relationship with animals? Curator: I believe so. It's a reminder of their contribution, not just in labour or sport but in the very fabric of society at that time. He almost gives them each a tiny portrait, which, in a way, invites the viewer to know the characters he’s portrayed. Which "Paarden" do you most closely relate to? Editor: I love that! Now I feel like I need to get to know each and every horse. Curator: Art is about finding personal connections that exist in the historical or artistic. Editor: I'll definitely be looking at art with new eyes from now on.