Aquarium by August Le Gras

Aquarium 1887

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aquatint, drawing, print, etching, ink, pencil

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aquatint

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pencil drawn

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drawing

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print

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etching

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pencil sketch

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landscape

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charcoal drawing

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figuration

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ink

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pencil drawing

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pencil

Dimensions height 240 mm, width 300 mm

Curator: Here we have August Le Gras's "Aquarium," created in 1887 using etching and aquatint techniques. Editor: It's… remarkably bleak, isn't it? The muted tones and the shadowy depths really convey a sense of confinement, almost dread. Curator: Le Gras's choice of etching and aquatint is crucial here. The process involves layering acid-resistant grounds to control texture and tone, creating these somber underwater vignettes. How does understanding these labor-intensive techniques affect your interpretation? Editor: Immensely. Knowing the intricate processes enhances the somber effect. The repetitive action of etching emphasizes the relentless, inescapable nature of the fishes’ reality, a stark critique, perhaps, of how society views the animal kingdom, as resources, or… commodities. Curator: Exactly. The "aquarium" is transformed into a stage for observing social power dynamics. Le Gras often situated his work within contemporary political debates on social injustice, class structures, and animal rights—all incredibly relevant now. Editor: The visible labor definitely complicates how we consume this art. Are we complicit in a system of consumption just by viewing it? Does the method indict us? Curator: Perhaps. Consider also how gender and class intersect within these natural power hierarchies. Is there something innately "feminine" or "working-class" about this imposed subjugation to this world depicted by Le Gras? Editor: Interesting point. I hadn’t considered it that way. The lack of vibrant color forces us to confront a more somber reality. Curator: Exactly. He pushes us to confront uncomfortable truths. It goes beyond pretty, it challenges society's conventions. It questions the relationship between power, representation, and exploitation across diverse marginalized identities. Editor: Seeing how these delicate aquatint washes create a whole submerged ecosystem—labor reveals these creatures as potentially trapped within their very own construction. A chilling vision. Curator: Yes, exactly. This detailed etching transforms into an important lesson.

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