Portret van Hieronymus van Beverningk 1679

Herman Hendrik Quiter made this portrait of Hieronymus van Beverningk using black chalk and gray wash. The depiction of van Beverningk, a prominent Dutch figure, is framed within an oval, which adds a classical touch to the print. Van Beverningk's attire and long wig signal his status as a member of the Dutch elite during the Golden Age. The inscription below further emphasizes his noble standing and important roles within the Dutch state. The presence of this print reflects the cultural and institutional practices of image-making and distribution in the Netherlands during the period. The print served to disseminate van Beverningk's image and solidify his public persona, reinforcing the social hierarchies of the time. To fully understand this print, we might want to investigate the history of Dutch printmaking and the role of portraiture in constructing social and political identities. By exploring these avenues, we can gain a deeper appreciation for the complex interplay between art, society, and power in the Dutch Golden Age.