Francesco I d'Este Sets Out for the Seige of Cremona, Crosses the Trench Between Himself and the Spanish, and Takes the City with Great Force, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] 1659

Bartolomeo Fenice created this print, "Francesco I d'Este Sets Out for the Seige of Cremona..." The image is part of a larger book which served to construct and disseminate the Duke's identity. Prints like this one were more than just illustrations; they were powerful tools used to shape public perception of rulers during a time of immense social and political change. Fenice's depiction of Francesco I d'Este as a triumphant military leader contributes to the narrative of the ideal Christian prince. Consider how the imagery of military might intersects with the concept of religious authority. The Duke's actions are framed as not only strategic but also divinely sanctioned, reinforcing the idea of a leader chosen by God. Through this lens, we can explore the complex interplay between power, religion, and identity in early modern Europe. It serves as a reminder of how deeply intertwined personal identity is with broader cultural narratives.