[title not known] 

Editor: This is an untitled pencil drawing by John Flaxman, part of the Tate Collection. I’m struck by the austere lines and how they create a sense of classical formality. What do you see in this piece? Curator: Note how Flaxman uses line to define form and space. The composition relies heavily on vertical and horizontal lines, creating a balanced, almost architectural structure. Observe the rendering of drapery; its lines suggest volume and movement, yet remain subordinate to the overall linear scheme. Editor: So, the emphasis is on form over emotion? Curator: Precisely. The formal elements—line, composition, and spatial arrangement—are prioritized, inviting us to analyze its structure rather than interpret expressive content. It is line that establishes both the figures and the surrounding space. Editor: I see. It’s about the construction of the image itself. Thanks for pointing that out. Curator: Indeed. Considering the formal structure allows us to appreciate the artist’s intention.