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Editor: This is an undated sketch by John Flaxman from the Tate Collections. The dimensions are approximately 198 by 156 millimeters. It has such a spare quality. What do you make of the composition? Curator: Note how Flaxman employs line as a primary means of articulation. Observe how the figures are rendered with minimal shading, emphasizing contour and form. How does this linearity affect your perception of depth and volume? Editor: It flattens it out, almost like a bas-relief. I'm just curious if that's intentional. Curator: Precisely. The reduction to essential lines suggests a deliberate move towards classical simplicity, aligning with Neoclassical ideals prevalent during Flaxman's time. The subdued nature invites contemplation on fundamental forms. Editor: I see. It's definitely made me look closer at the lines themselves. Curator: Indeed, and hopefully appreciate the elegant efficiency with which Flaxman communicates form.