painting, acrylic-paint, glass
painting
pop art
acrylic-paint
figuration
glass
expressionism
orientalism
Ding Yanyong presents us with a vase containing Chung Kuel. In Chinese folklore, Chung Kuel is the vanquisher of ghosts and evil beings, often depicted with a stern visage to ward off malevolent spirits. Here, Chung Kuel is confined within a vase, a space typically reserved for beauty and tranquility, creating a jarring juxtaposition. This confinement echoes ancient myths of containing powerful entities within vessels, from Pandora's box to the djinn in a bottle. The vessel itself, a recurring motif across cultures, symbolizes containment and control. Yet, the furious expression of Chung Kuel hints at the impossibility of truly suppressing primal forces. Consider, too, the psychological implications: the subconscious mind, like Chung Kuel, cannot be indefinitely contained. Much like the ancient Greeks believed in catharsis through tragedy, this image confronts us with the necessity of acknowledging and integrating our darker impulses, lest they fester within. Here is the cyclical progression of a symbol, its containment, its inevitable resurgence, and our eternal negotiation with its power.
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