Gezicht op Huis Honselaarsdijk vanaf de tuinzijde by Jan van Call

Gezicht op Huis Honselaarsdijk vanaf de tuinzijde c. 1694 - 1697

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print, etching, engraving

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baroque

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print

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etching

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landscape

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cityscape

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history-painting

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academic-art

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engraving

Dimensions height 129 mm, width 169 mm

Editor: This is Jan van Call's "Gezicht op Huis Honselaarsdijk vanaf de tuinzijde," an etching from around 1694 to 1697. The sheer detail in the formal garden is astounding. It makes me wonder about perspective in that period. What can you tell me about this print, focusing on the artistry involved? Curator: Let's look at the balance within the image. Notice how van Call employs a rigorous symmetry, positioning the house on the left and balancing it with the monument on the right. How does that symmetry create a sense of order? Editor: It's undeniably calming and imposing at the same time. The building and monument have equal footing, directing my focus, creating this... harmonic state of things. Curator: Exactly. Further consider the cloud formation hovering almost perfectly above and behind each of the bookending architectural marvels, completing the harmonic experience you highlighted. What about the textures created through the engraving itself? What feelings might they be intended to invoke in the viewer? Editor: I see different textures suggesting opulence; there are the intricate swirling lines of the patterned garden that is quite captivating, followed by the very formal lined pattern that depicts the building's shape on the other side, and then the monument again shows detail but has less flourish to the eye. They all feel intentionally placed with unique details, invoking a very complex set of experiences, perhaps to evoke pride or class? Curator: An excellent insight. And do note how the density of lines varies, creating a visual hierarchy and directing our eye across the scene from foreground to the background cityscape. It reinforces the academic devotion to ordered sight lines that Baroque paintings embody. Editor: That is masterful control of the medium to produce a formal expression. It does all feel interconnected! Thanks for shedding light on how the different formal choices relate. Curator: Indeed. By observing the intrinsic pictorial organization we gained a perspective on how images present meaning to us.

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