Ontmoeting van Karel de Eenvoudige met Hendrik I de Vogelaar in 921 by Johann Wilhelm (I) Kaiser

Ontmoeting van Karel de Eenvoudige met Hendrik I de Vogelaar in 921 1839 - 1841

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drawing, print, graphite, engraving

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pencil drawn

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drawing

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aged paper

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light pencil work

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narrative-art

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print

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pencil sketch

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light coloured

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landscape

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pencil drawing

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romanticism

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graphite

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pencil work

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history-painting

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tonal art

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remaining negative space

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graphite

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engraving

Dimensions height 131 mm, width 183 mm

Editor: This print by Johann Wilhelm Kaiser, created between 1839 and 1841, depicts the meeting of Charles the Simple and Henry the Fowler in 921. There’s a real sense of staged formality to the whole composition. What symbolic reading might be drawn from such an event presented in this way? Curator: This piece is a powerful example of Romantic-era historicism. Consider how the artist uses specific symbolic elements to convey power dynamics and the significance of this meeting. What stands out to you in terms of symbols of authority or negotiation? Editor: The crowns are obvious, of course, but it seems more about gesture and placement. Charles is sort of descending here and there are subtle references to what feels like naval authority in the background. Curator: Precisely. Note how costume and setting – Charles, from the boat, is positioned lower, seemingly arriving or submitting - emphasize hierarchy, yet also the neutral space of parley, which speaks to negotiation. What emotional subtext do you infer from that tension? Does this encounter reflect well on Charles, or does it evoke some past grievance? Editor: It feels...delicate, as if any wrong move could trigger something unpleasant. It reminds me how symbols become loaded with meaning through historical context, and this piece highlights the careful dance of diplomacy. Curator: Indeed. And observe how Kaiser uses light and shadow to further accentuate the weight and drama of this royal rendezvous. The symbols carry the cultural memory, don't you think? Editor: Definitely. Looking at this scene, I’m now thinking about how historical events get re-imagined through art to reinforce cultural narratives.

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