Twisted Strings, TX 1026 1970

Walter Leblanc made 'Twisted Strings, TX 1026' using a line-making strategy that is reminiscent of weaving or drawing, or some combination of the two. I can imagine him, perhaps, working in a contemplative mode, repeating and repeating a single gesture. It’s about building up the surface through careful and deliberate movements; it's all about process, labour, and time. The surface tension that comes from these parallel lines is palpable. It's so consistent, a beautiful tonal play that gives the surface real depth and luminosity. The simplicity of materials and method create a strong impact. It makes you think of the work of Agnes Martin, who also explores repetition and variation within a strict framework. It is a conceptual gesture but also a very physical one. Leblanc, Martin, and so many other artists show how creativity blossoms through an ongoing dialogue of ideas, each inspiring new forms of expression across time. This reminds us that art embraces ambiguity and endless interpretations, shifting our understanding with each encounter.