Composition with Large Red Plane, Yellow, Black, Gray and Blue 1921

Piet Mondrian made this painting with oil paint, aiming for something beyond the surface, reaching for an underlying structure. I love how the blacks stake out territories, how those blocks of color aren’t just sitting there, they are pushing and pulling, like a silent disco of shape. Notice the texture, it’s smooth, almost clinical, because Mondrian was trying to create a universal language that didn't rely on personal expression. I find this red rectangle particularly captivating – it’s not just red, it’s asserting itself, demanding attention. Mondrian's work reminds me a little of Agnes Martin's grids, but while she’s all about subtle variations and imperfection, he’s after something more definite. Ultimately, this piece shows that art isn't just about pretty pictures, it's about ideas, and how we see and shape the world around us.