Luncheon of the Boating Party 

Editor: We're looking at "Luncheon of the Boating Party," an oil painting by Pierre-Auguste Renoir. There's such a lively, joyful atmosphere! How do you interpret the scene and the symbolism within it? Curator: Notice how Renoir clusters the figures, yet each retains their individual personality. The overall impression is one of leisure and conversation, but beneath the surface, are markers of social identity. The hats, for instance – boater hats, elaborate bonnets – they speak volumes about the sitters’ place in Parisian society. Consider the objects on the table: What feelings or concepts are brought to mind by the overflowing glasses, and the piles of fruit? What about the presence of the dog being pet? Editor: The hats do draw the eye and feel significant, and I hadn't really considered the symbolic meaning of the objects, only that they looked pretty, and full of delight. What kind of cultural memory is Renoir playing with, if any? Curator: Here we see the cultural memory of leisure codified for the burgeoning Parisian Bourgeoisie of the late 19th century. Note how the artist makes the vessels holding the spirits seem alive, each container representing the revelry. The Impressionists often depicted such scenes, solidifying the aspiration and attitude of that societal segment. Now look at the lady who is holding the little dog...do you know who that is? Editor: I don't! Curator: It is Aline Charigot, who Renoir later married. Consider this glimpse into their love story. Every gaze, every shared space contributes. Editor: I learned a lot by observing Renoir's technique as social commentary. It brings an added depth to his painting. Curator: Exactly. And perhaps a more thorough sense of its continuing resonance and effect on our own sense of festivity.